Also, try to lose unimportant edges while painting a background.
I spent the rest of the session working on a mask. He gave me another great tip, “Can you see the hook goes down to its nose?”, “Can you see number 3?”
You know what I mean? He’s looking at abstract shapes and tones, rather than eyes, a nose....
That’s the key.
Work in progress.
Oil on panel. 16x20 in.
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